
***UPDATE***
I was recently contacted by Richard Pelletier himself and was kindly asked to remove the links to the 6FS rarities. They are available for full download on the 6FS myspace. Please visit the space and drop these guys some funds. According to Richard, the band is finishing up their new album and are planning a tour this coming spring/summer. I'm sure the band could use all the extra funds they can get their hands on. Also, the mp3 rips available on their site are a much higher quality than the ones I upped. Sorry for any inconvenience. The Sub Pop albums and live set are all still available.For the most part, the world has all but forgotten
Six Finger Satellite. All four of their full length releases have been out of print for longer than they ever
were in print for. One of the band's main members, John Maclean, is now far better known as DFA's dark-disco king,
The Juan Maclean. Well, it appears, that after close to a decade of inactivity, that Six Finger Satellite may be getting their due.
Skyscraper Magazine has just published a full length feature on the tumultuous career of the band, which can be read in full at the bottom of this posting.
I stumbled across SFS sometime around 2001, which was also their final year as a band, albeit an almost completely different lineup from the initial incarnation of the band. At the time I was getting into groups like
Brainiac and
Trans Am, who coexisted at the same time as SFS, not to mention shared a somewhat similar aesthetic. A friend of mine recommended that I try and seek out some SFS albums. Now, because all of the albums were out of print, it took me a while to find a used copy of one of their albums. After a few months of patience I stumbled across a copy of
Paranormalized for about 7 or 8 dollars. My infatuation with the band was immediate. I recall playing the album for anyone of my friends who would listen, and managed to turn a few of them on to this underrated and overlooked band of the 90s. Over the next year I was able to track down all 4 of their full lengths and even a 7 inch or two. By this point, the disco-dance-punk movement was in full swing, and groups like The Rapture, Radio 4, Liars and The Faint were all the rage. Most of the groups remained indebted to the initial blast of danceable post-punk; Gang of Four, ESG and PiL, all of whom had laid the foundation for this "new" movement of the early 00's. Surely some of these groups had to have been influenced by the jittery punk rhythms of SFS. Some of these bands must have witnessed SFS live at some point, or even copped one of their albums from an older sibling. These new wave of bands sure weren't letting anyone know if that was indeed the case. It seemed, for a moment, that the band would slip through fingers of the mainstream music media. There does, however, seem to be a bit more recognition for the band nowadays. First there were rumours of a new album, which appear to be true, and now there is a full length article in the widespread, well read Skyscraper. Is the band finally about to get their due?
The Pigeon Is The Most Popular Bird (1993) Sub Pop

Much more mature than their Weapon EP debut but still lacking the precision bite of the next few albums, Pigeon is a great entry point for anyone looking to get into SFS. The album was recorded by Bob Weston (Shellac's bass player and producer extraordinaire) and definitely showcases his penchant for a chunkier sounding rhythm section and explosive drum sound. In fact, Shellac was so impressed with this debut that they ended up naming one of their EPs after them, The Middle Finger is the Most Popular Bird. The band does share a kinship with Shellac as well as other "futurist rock" groups of the time like Brainiac or Unwound, who would also go on to near obscurity and cult status after disbanding. The main tracks on Pigeon are separated by short instrumental tracks that veer between short garage-y numbers and weirdo synth squalls. Personally I find them to get tedious after a while and cause the momentum of the album to start and stall. The next two albums would not suffer the same fate.